| ARTH 3100 | Cinema and Socialism | 1 |
| CIMS 0275 | Montage and Revolution: Conceptual Cinema of Sergei Eisenstein | 1 |
| CIMS 1110 | Poetics of Screenplay: The Art of Plotting | 1 |
| CIMS 1272 | Nationalism and Ethnic Conflict in Film | 1 |
| CIMS 1640 | Russian and East European Film from the October Revolution to World War II | 1 |
| CIMS 1650 | Russian and East European Film after World War II | 1 |
| CIMS 2270 | Contemporary Russia Through Film | 1 |
| CIMS 2271 | Post-Soviet Russia in Film | 1 |
| CIMS 2501 | Andrei Tarkovsky: Cinema, Spirit and the Art of the Long Take | 1 |
| CIMS 2750 | Russian History in Film | 1 |
| CIMS 3100 | Cinema and Socialism | 1 |
| CIMS 5272 | Nationalism and Ethnic Conflict in Film | 1 |
| CIMS 5296 | Contemporary Russia Through Film | 1 |
| COML 0275 | Montage and Revolution: Conceptual Cinema of Sergei Eisenstein | 1 |
| COML 1018 | Poetics of Screenplay: The Art of Plotting | 1 |
| EALC 2314 | Cinema and Socialism | 1 |
| ENGL 2934 | Cinema and Socialism | 1 |
| REES 0270 | Russian History in Film | 1 |
| REES 0275 | Montage and Revolution: Conceptual Cinema of Sergei Eisenstein | 1 |
| REES 0280 | Andrei Tarkovsky: Cinema, Spirit and the Art of the Long Take | 1 |
| REES 0470 | Poetics of Screenplay: The Art of Plotting | 1 |
| REES 1230 | Russian and East European Film from the October Revolution to World War II | 1 |
| REES 1231 | Russian and East European Film after World War II | 1 |
| REES 1272 | Nationalism and Ethnic Conflict in Film | 1 |
| REES 2270 | Contemporary Russia Through Film | 1 |
| REES 2271 | Post-Soviet Russia in Film | 1 |
| REES 3770 | Cinema and Socialism | 1 |
| REES 5271 | Post-Soviet Russia in Film | 1 |
| REES 5272 | Nationalism and Ethnic Conflict in Film | 1 |
| REES 5296 | Contemporary Russia Through Film | 1 |